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Meditation on Meditation
by Adrian S. Potter
Night has dropped its black cloak onto the city
and there’s no decent restaurant open anywhere
so I’m sitting alone in a small, decrepit diner
with a couple arguing in the back booth
and my eggs greasy, bacon undercooked,
trying to write a poem about my late father,
shamelessly redrawing him in my mind as a different person
but being careful, because we must speak gently of the dead
knowing that they listen for their names to be mentioned.
It all makes me wonder how God, in his omnipotent glory,
can bear to remember everything at once:
the unsung desire of the check-out clerk,
the relentless twang of traffic on the turnpike,
the nightly news and its numbing parade of human suffering,
the requests by the dirtiest of souls in need of cleansing.
Soon I stop trying to list my dad’s faults in verse,
realizing there are things we’re simply meant to forget,
moments that are supposed to rinse off
like the guilt of a one-night stand.
This
is how reality falls apart,
disintegrates to dust, and starts up again within
the course of an ordinary hour,
while people like me keep searching
for a blessed peace that seems final, but isn’t.
_______
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Meet Adrian S. Potter
I begin most creative
sessions without a notion of what I’m crafting. Since I write both verse and prose, the line separating
them often becomes obscure. “Meditation on Meditation” started as a flash fiction piece. Since there was no true plot, I gradually converted it into a prose
poem, and then a free verse poem. This process wasn’t derived from any textbook guidance, but it’s
a tactic that has served me well. Decent poems can grow from a descriptive paragraph that’s trapped
inside a failed short story; similarly strong fiction can sometimes be birthed by a vivid line in a scrapped sonnet. I am a believer of writing as a vehicle for catharsis, confession, and change.
In other words, you won’t find any odes to butterflies or cheesy fairytales authored by me. My
inspirations are varied; I can’t pinpoint what defines my manically changing style. I’m definitely
stirred by classic African-American writers such as Langston Hughes, Maya Angelou, and Zora Neale Hurston. I’ve
also been influenced by emerging small press poets and short fiction authors. I have much to learn about
writing, so I read all I can in order to notice what works (and what doesn’t). I’m also highly impacted by music, whether it’s
hip hop, jazz, R & B, blues, or occasionally even rock. I often listen to music while brainstorming
and editing, which is in conflict with the traditional approach of working in silence. Usually I can read
one of my poems or stories and recall that its “rhythm” was fostered by the furious refrain of a Tupac song, a
melancholy Miles Davis solo, or a bland guitar riff from the latest overplayed band on the radio. Oh yeah, I almost forgot my shameless plugs. My first fiction chapbook, Survival Notes, is forthcoming
through Červená Barva Press. I will have poetry in future editions of The Arabesques Review,
Cherry Bleeds, the I-70 Review, and Prairie Poetry. Additional propaganda can be found at http://adrianspotter.squarespace.com/. Be good and keep writing – a brilliant idea is
just a wasted thought until you do something with it.
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If Love is a Big City, Lately I've Considered Relocating by Adrian S. PotterWhen she whispers lust into another man's ear at the bar, my mind becomes a commuter train: screeching stops,
graffiti-tagged doors and, inside, a flickering fluorescence.
Meanwhile, in the alleys behind my sleep-deprived eyes, thoughts scatter like transients at the sound of a police siren. I would've loved to take her on a road trip where headwinds bully cars
on rural highways and we could imagine hope residing in the
static between AM stations. Now there's an entire nation full of motels where we'll never sleep - together, at least. Not to mention nightclubs where we'll never dance until closing time and diners where we'll never stumble in searching for something to quell our booze-induced hunger. So be it. This city is filled with constellations
of starry-eyed fools orbiting people they claim are their world,
only to find themselves pulled into parallel universes where they do things they'd never consider doing, normally.
I recognize the symptoms, pack up everything and think about
hightailing it out of town. Ignore my cell phone's cranky ring, force her to leave a litany of excuses in the space between the voice mail's beep and her tentative goodbye. Goodbye, love.
I'm moving on.
_______
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Adrian S. Potter, Revisited
A baccalaureate in engineering and graduate schooling in business keep me grounded in what can be documented, studied,
and compared - above all, dissatisfied with superficial explanations. I believe this motivates much of my writing.
This past spring I spent more time reading and critiquing poetry
instead of writing. Why? Because I had the honor of judging a contest for the first time, the 2009 Shine Journal Poetry Contest. The entries were impressive and choosing a winner
was challenging work. I learned so much serving as a judge and getting a chance to be on the "other side" of the
whole literary contest rigmarole. I enjoyed the experience and believe it's helped my development as a poet. I'm incessantly messing with my style, and "If Love is a Big City, Lately I've Considered Relocating" is a derivative of this tinkering. Lately I've meandered from the
conventional narrative of my previous work, drifting toward something less linear, more disjointed. I take some from
the imagists, a bit from the confessionalists, stir in personal angst and allow the words to rub together until they produce
friction, or maybe fire. Add liquor, music, and squeeze in a hint of cynicism. Voila. My short fiction chapbook, Survival Notes, is available through Červená Barva Press. I will
have poems appearing in upcoming issues of Front Range, 95Notes, and Exact Change Only. Additional
propaganda about my writing can be found at http://adrianspotter.squarespace.com/, along with other random posts that chronicle my lame existence.
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