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And
The Road Goes On Forever A Life On Two Wheels
By Gerald O. Ryan
Glance past handlebar hands that grasp the long faint
shadow cast in front of your bicycle in the early morning sunlight. See that gray silhouette transform
from the gaunt Giacometti form on two wheels to a squatter combination of spinning circles and frame triangles as the sun
rises higher in the sky. The shadow condenses, disappears as the sun reaches its zenith, now follows behind
like a faithful dog for the rest of the day.
Look
down and watch fading asphalt flow under rolling wheels. See knees and top tube and handlebar and arms
joined in curious stasis and continuous revolution. The arms belong to the rider who belongs to the road that never ends.
They’ve changed from smooth strong forearms to tauter drawn limbs, from the smooth skin of youth to the complex
alligator map of wrinkles that so absorbed a young boy as he studied his father’s arms as a child. See
the knees now scarred from surgeon’s knives, protesting as the road continues, but still faithful to the rider who knows
them well.
Look up and see parallel
lines ever retreating toward the teasing horizon or the next hill, down tree-lined paths and corn-filled country roads, always
approaching the next town or rest stop, always receding into thin memories as you rejoin the road.
Roll past far-spaced farms, neat boxes of white houses
and rickety red barns and see newborn sows and calves, smell hogs and fertilizer. Hear the sounds of tractors
turning the soil for the fresh planting of crops, the sound of harvesters at season’s end as that bounty is reaped.
Wave and be waved at by the solitary occupants of huge farm combines as they rumble down that same shared road.
Pedal down stretches of towering green
pines that coolly exude rich resin aromas. Coast and hear the tick of the freewheel in the oddly quiet
calm and stately forest silence. Hear the tap of woodpecker and watch the sudden flit of the cardinal.
See the squirrel as it darts from tree to tree in never-ending, nut-carrying mission. Ride by the river and peer through
early morning mists and rough stalked reeds to see fish jump and fowl preen. Smell the curious, rich odor
of decay where water meets bank in marshy confluence. Inadvertently inhale and swallow swarms of bugs that
dance at the river’s edge.
Careen
down city streets, ever alert, always surprised at the car-bus-truck that leaps in front of you with no warning.
Immerse yourself in traffic sounds and diesel smells, in potholes and pedestrians, in stoplights and swung-open car
doors. Hear the constant honk and roar.
Feel your hands grip the brake levers in sudden stop.
Places may change, but the road goes on forever. Feel the seasons roll by, the never ending wheel of spring, summer,
autumn, winter, the forever cycle of years that will continue long after bicycle wheels cease their spin.
Pedal through new buds and the creeping
green seen only from the corner of the eye until spring bursts forth in sudden surprise all around you. Creatures
court and birds build nests among blossoms and slowly warming air that caresses and calls you back to the road after a long
lonely winter.
Immerse yourself in endless
green which waves in summer winds. Watch black asphalt shimmer and dance in distant mirage.
Feel the sweat drop from forehead to top tube as you cycle, heat making skin glisten, sun’s rays darkening arms
and legs in that curious cyclist’s tan. Taste the lukewarm water as it wets dry lips and somehow
satisfies parched mouth. Sway in the saddle with Tiger Lillies and Queen Anne’s Lace that roadside
bow in constant courtesy. Hear the whirr of locust chorus that sing their familiar song, rising and falling
in Doppler mystery as you pedal past.
Tilt
your head at the hint of the first dropped leaf and be amazed at the sudden autumn riot of orange, red, yellow, and brown.
Arms and hands hide under jackets and gloves as you pedal through dimly lit mornings and frosty air. Watch
your breath condense in moisture-filled exhalation. Hear ducks and geese honk over your shoulder as they
make their way south. Worship at the window while winter snows blow and hide the road as it disappears outside in swirling
fury, leaving you with only well-worn maps and fading photographs of remembered rides. Sleeping legs will
phantom pedal, twitching curiously like a dog’s in rabbit-chasing dreams.
The seasons change but the road goes on forever. The road is a constant that’s ever different but always the
same, somehow new and somehow not. It’s a way through life with limbs moving in continuous revolution,
endlessly approaching but never arriving. Because whenever you look
up from handlebar hands and spinning legs, from burning muscles and labored breath, from sudden thought or bittersweet memory,
you always see the road that goes on forever.

Meet Jerry Ryan
I started writing seriously in the early 90s. I enjoyed an unplanned sabbatical from my job and went back to school. I took a writing course,
“Writing the Natural Way” using the book by Gabriele Rico. It was like someone let the genie out of the bottle.
I haven’t stopped writing since. The clustering technique unleashes the hidden treasures locked in the right side of
the brain and gets them onto paper. It’s a technique I use in writing fiction, nonfiction, screenplays, poetry, and
business letters. I found that writing was the
cheapest form of therapy I could find. Fiction writing allows me to test characters with ethical flaws in situations that
test those ethics. Sometimes I know what the characters will do. Often, they surprise me and insist on doing something I hadn’t
planned for them to do. That’s when writing is really a kick.
As you can see from my submission, I love cycling. With over 30 years and 35,000 miles in the saddle, I've
had my fair share of cycling experiences. The idea for writing about cycling came from friends constantly calling with questions
about buying a bicycle, what accessories to have, where to ride, how to fix.... you get the idea. The result was a series
of articles written for novice to intermediate cyclists and enjoyed by all those who bicycle and love to read about cycling.
They say “Write what you know.” It’s true.
I wrote constantly and submitted work for about three years before I hooked
up with Windy City Sports. That seemed to be the key to becoming more successful. When someone pays you regularly
for what you write, you’re a writer, not just a dilettante. I still enter competitions and still meet with more rejections
than acceptance, but I keep plugging away.
I write poetry to work through life issues, to stay in emotional touch with feelings often repressed
in daily life. My day job isn’t that satisfying on a gut level. Poetry fills a need that other forms of writing don’t.
I’ve been fortunate to win a few poetry competitions along the way.
Poetry became a tool to prime the pump for ideas for my other writings. I
found I enjoyed the denseness of language and economy of words inherent in a poem. Poetry is a discipline that I now enjoy
for its own pleasure.
I started entering writing competitions as a way to test the waters for my writing. As an
unagented author, I found it was difficult to get short stories and poems published. Competitions are a great place for your
work to be judged by people who will give your work a good, critical read. When you win a few, it helps your bio when you
submit elsewhere.
Competitions usually have judges who are sincerely interested in finding work that they would love to publish. Many
contests are run by university fine arts programs that are looking for good new work, as opposed to the literary and commercial
markets where your story or poem is one more manuscript plucked out of the slush pile and read by an overworked and underpaid
editorial assistant or intern.
I entered a competition
from Next Stop Hollywood that called for short stories that might lend themselves to film or TV projects. From over 600 submissions,
15 were selected for inclusion, one of mine among them. "A.K.A." is a love story and a crime
story involving two ex-DEA agents and an exotic dancer, a drug deal gone wrong, and mistaken identity. The prize included
publication in the St. Martin’s Press anthology (http://nextstophollywood.org), a small cash advance, a split of royalties with the other authors and the publisher, and best of all, some
nice participation if the stories are optioned and/or produced.
I try to write every day. With a full time job, that’s
not always easy. Anne Lamott, in her book Bird by Bird wrote about not waiting for the Muse to
move you before sitting down to write. If you sit down to write every day, the Muse will know where to find you.
I’m trying, Anne, I’m trying.
I would recommend joining a good writers' group that offers support along with a high level of
critique, a group that allows you to read your work aloud. It’s amazing how your best work stands out, and how your
less than stellar effort show up when you hear it out loud. It’s easy to spot the bumps in your work.
I enter at least four competitions every month. I have a
completed a nonfiction book compiled from the cycling articles I’ve written entitled Bicycle Crazy: A Practical
Guide to Life on Two Wheels. I’ll be looking for a small publisher or agent. I have several novellas, screenplays,
and short stories in the can that I’m always shopping. I have over fifty poems that I’m always looking to place.
I’m 30,000 words into a sci-fi novel that includes time travel, asteroids, dinosaurs, and, of course, human beings with
human failings.
Editor's note: Excerpts from the above essay were previously published
in interview form in firstwriter.com newsletter. Firstwriter.com is a resource offering contest listings, a literary agent and book publisher's database, informative articles, and so much
more! Check them out.
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