If Love is a Big City, Lately I've Considered
Relocating
by Adrian S. Potter
When
she whispers lust into another man's ear at the bar, my mind
becomes a commuter train: screeching stops, graffiti-tagged
doors
and, inside, a flickering fluorescence. Meanwhile, in the alleys
behind my sleep-deprived eyes,
thoughts scatter like transients
at the sound of a police siren. I would've loved to take her
on a road
trip where headwinds bully cars on rural highways
and we could imagine hope residing in the static between AM stations.
Now there's an entire nation full of motels where we'll never sleep -
together, at least. Not to mention
nightclubs where we'll never dance
until closing time and diners where we'll never stumble in searching
for something
to quell our booze-induced hunger. So be it. This city
is filled with constellations of starry-eyed fools
orbiting people they claim
are their world, only to find themselves pulled into parallel universes
where they
do things they'd never consider doing, normally. I recognize
the symptoms, pack up everything and think about
hightailing it
out of town. Ignore my cell phone's cranky ring, force her to leave
a litany of excuses
in the space between the voice mail's beep
and her tentative goodbye. Goodbye, love. I'm moving on.
Fisherman's Wife
by Medb Mahony
It is ten-thirty on a Friday night and you can't
sleep. Instead, you are sorting your nineteen-year-old son's dirty laundry into piles of darks and whites because you
want him to bring clean clothes when he goes back to college two days from now. Just as you're half-way through the
laundry basket, your husband clomps down the stairs and informs you the aforementioned son has been in an accident.
"Accident?"
you squeak. "What do you mean-accident?" Your son-who also happens to be the only child you and your husband
of twenty-four years were able to produce-is supposed to be at a party at some girl's house with his friend Mitch.
"Nobody's
hurt," your husband says, still standing on the steps, his head bent forward to avoid scraping it on the sloping ceiling.
"Mitch's car hydroplaned and swerved into a tree; both boys got some bruises, and the police were involved. We
need to drive over and meet Paul at the hospital."
The laundry basket thumps off the dryer when you knock it with your elbow as you turn to face him. Clothes spill haphazardly
across the floor. "Hospital?"
Your husband sighs. "Paul's all right Helen. They're both all right. Paul called me on his cell phone a few
minutes ago."
You've never liked your son's friend, Mitch. He's rich (and spoiled, you think). A couple of years ago when the
boys were seniors at St. Luke's Academy, the after-prom party was at Mitch's house, naturally, because his house was the biggest.
You were a chaperone, wandering through the halls of his mansion, envious of all the antique furniture, oil paintings, and
oriental carpets. There was even an indoor swimming pool and a separate game room with a pool table and foosball table.
This was an all-night party because three years earlier a boy and his date drove home drunk from the prom and ended up in
a fatal car wreck. The school's idea was to keep the kids under someone's roof all night and their parents could come
and pick them up in the morning. The boys weren't supposed to drink, take drugs or have sex-hence the chaperones-but
if they did, at least they wouldn't end up dead because they were driving impaired.
That night of the prom, you
climbed the thickly carpeted wide stairway to the second floor hallway of Mitch's home. You pushed open the door to
the first bedroom, shooing out a boy and his giggling date and confiscating their bottle of vodka. In the second bedroom
you found Mitch in bed with a girl under the covers. "Get out," you said to them. "You know the
rules."
Mitch rose up on one elbow and said, "Mrs. Higgins, this is my house. I can do whatever I want in my own home."
You were so thoroughly intimidated by the glare in his eyes and the commanding tone of his voice that you backed out of the
doorway, closing the door, even though you knew the rules were supposed to apply equally to everybody.
As your
Volvo sedan accelerates through the humid August night toward the hospital, the streets steamy from recent rain, your husband
says to you, "I just thought I should tell you, Paul said the police found a half full bottle of bourbon, a baggie of
marijuana and some rolling papers in the glove box of Mitch's car, so the kids will be facing some minor criminal charges.
Paul says Mitch passed a sobriety test, though."
"You know I never liked Mitch," you say.
He shrugs his broad shoulders. "We don't know who was responsible for the marijuana and bourbon being there."
"Yes, we do," you say. "Paul is a good boy. He wouldn't be involved in anything like that."
It has always bothered you that Mitch and Paul get together whenever they're both home from college. You've told Paul
you think Mitch is spoiled. Even though he's a big handsome hunk who used to be your son's best buddy on the St. Luke's
lacrosse team, he's thoroughly spoiled. Paul, of course, ignores your insights.
At the hospital, you go to the
Family Waiting Room, where Paul told your husband he would be waiting. Mitch's parents have already come for him.
Paul's doctor wants to speak to you and your husband before releasing him, just to explain the bandages on his right arm where
the doctor had to remove glass shards and the large bruise on his chest where the deploying air bag struck him. Paul
has a black eye and a sheepish grin, but no broken bones, thankfully. He comes toward you, shaking his blond hair out of his
eyes, and you hug him gingerly, but he still says, "Careful, Mom."
On the way home he sits in the
passenger seat next to his father and the two of them have a conversation as if you weren't back there in the back seat, straining
to hear every word over the sound of a ballgame on the radio.
"Dad," Paul begins and pauses. "Well, you know Mitch is applying to law schools this fall?"
"Yes,"
your husband says cautiously.
"Mitch and I are going to say the pot and bourbon are mine, so Mitch won't have a record. If one of us doesn't
claim that stuff, they're just going to charge both of us and Mitch has more to lose."
"Won't having a record
affect you?"
"Mitch promised me a job with his dad's business a long time ago. I know Mitch will take care of me."
You can't keep quiet in the background any longer and you lean forward, straining against your seatbelt, spitting out, "You're
not taking the fall for this. It was his marijuana and his bourbon. In his car. He isn't taking care of
you; he's using you."
Paul shifts quickly in his seat to face you. His tanned face with the bruise around his eye looks like it used to when he
was two and you couldn't tell whether he was about to cry or have a temper tantrum. "You be quiet, Mom," he
mutters. "I'm not asking you. Besides you're giving me a headache."
"Me? What am I doing
to give you a headache?"
"Shh," Paul hisses.
Your husband says, "We're all tired. Let's get some sleep and discuss it tomorrow."
After the three of you arrive
home, Paul starts complaining his headache is becoming worse. You feel guilty that he is so stressed about the problem
of the marijuana and the bourbon and you've made the situation worse by being judgmental of Mitch. You bring him Advil
and a glass of water. When you enter his bedroom, he is sitting on his bed with his head in his hands. He
looks up at you with his shiner that is different shades of plum and black. His brown eyes appear all shimmery as if
he's on the verge of tears and his jaw is clenched. He asks, "Mom, will you fill the bath tub with water for me?"
You say in your gentlest voice, "Sure, Honey. You think a bath will make it better?"
"Yeah," he grunts.
In the deep dark of the night when the world goes almost completely quiet, you wake suddenly. Did you hear a slurp of
a wave? Something feels amiss. You fling back the coverlet and pad barefoot down the hallway towards the bathroom where
you left Paul hours ago. You hear your husband's voice behind you, calling, "Helen, Helen, what's wrong?"
When you open the bathroom door, you find a nightlight in the outlet by the sink, sending out a dim glow, Paul's
long frame stretched out, still in the tub, the bruise on his chest shimmering under the water like a lurking stingray,
his bandaged arm hanging down outside. An orange face cloth anchored between the tub walls and his hips protects
his curled penis. Paul looks up at you with a grimace, crow's feet forming around his eyes. The pale greenish water
bounces around him as he moves to try to get up.
"I can't seem to get rid of the migraine, Mom." Tears fill his eyes and streak down his cheeks.
At this
moment, your husband is hurrying down the hall, wearing a tee shirt and a pair of sweat pants he's just pulled on. "I
need to take him back to the hospital, Helen. Help him with his clothes."
"Can I come, too?"
you say.
"You stay here. I just need to take him quickly and have the doctor check to make sure there isn't something they
overlooked. I don't know about this migraine. Maybe he has a concussion they missed."
Off
they drive off in the Volvo that is your family's only car, and you are left alone in the dark house where there is no point
in even trying to sleep. You gather your cell phone and return to the basement laundry room to finish washing Paul's
clothes. You pull the light cord at the top of the stairs, slink down the stairs and across the linoleum floor to start
up the washing machine, tipping in a cupful of thick blue Tide and watching sudsy bubbles form where the sluice of water pours
in. You pick up the clothes from the floor, but before you drop each one in, you stop and inhale its scent. The
first item is a pair of blue jeans and it smells like sand, sun and salt from the beach and perhaps a little bit like marijuana
and there is a stain on the leg that gives off a scent like grain alcohol. The second item is a navy polo shirt with
distinct body odor at the arm pits, only the smell of your son's body odor is something you can't get enough of right now.
For some reason, you are remembering him as a little boy when you used to read to him at night before bed. There was
a book of fairy tales with a story in it called "The Fisherman's Wife." Paul liked that story. You can
see him at age four: flaxen hair and solemn brown eyes asking you to read it again. It was a story about a fisherman
who caught a magic fish that granted his wishes, only his wife was never satisfied with what he wished for, so the fish took
everything away in the end.
Your cell phone rings. Your husband is crying over the receiver, but he speaks to you between gasps. "They
took him right away in the E.R., Helen. He had a cerebral aneurism caused by head trauma from the accident. We
should've brought him back to the hospital the minute he mentioned a headache. I'm on my way home now."
You lay the cell phone back on the dryer. You could go upstairs and look up cerebral aneurism on the Internet, but you
don't. You sweep up the rest of the dark pile of clothes and stuff it in, pushing down and spreading it evenly, watching
the clothes grow wet and heavy. You wonder if tonight life offered you a deal and you made the wrong choice; perhaps
you should've listened quietly when Paul said he wanted to cover for Mitch. The clothes in the washer swirl around,
the legs of the jeans doing an awkward side stroke, as the sudsy water cleanses away the scents and odors of Paul.
"So, Mr. Lorenzo."
He sat down with a huff, his office chair squealing once, sharply, under the weight he'd dropped into it. "Did they tell
you why you're here?"
"I was told
a malfunction...?"
Crap. I'd asked a question.
That's junior sales rep's mistake number one. Never ask a question, even when you are asking a question,
end it like a statement. I assumed my upward inflection was due to jet lag, and hoped he would cover for me by responding
quickly. Nod reassuringly, restate the word "malfunction" in an appropriately somber tone, and then tell me what
was actually going on.
He didn't. He just steepled
his fingers and stared at me across his glass-topped desk.
If one of the porters in the hallway hadn't greeted him as Dr. Richardson, I never would have thought he was actually
a doctor on a cruise ship. His pasty skin, his puffy eyes, his chewed fingernails? All wrong. Where was the tan? Where was
the too-white smile, and the little sun-squints in the corner of his eye?
I shifted a little under his gaze, my clothes creasing around my body. I had sweated and cooled so many times today
that each fold seemed to have stiffened into a separate entity. "Well, I was told they have been squirting people in
the eye, which is difficult to believe. They're just not designed that way."
He leaned forward, elbows squeaking on the glass. "I don't give a good goddamn how they were designed. You haven't
been here. You haven't seen the people coming into my office in agony, Mr. Lorenzo. Agony. Several of them have been almost
blinded." He leaned further forward, so I could see tiny red veins beginning to invade the whites of his eyes. "People
are scared to leave their cabins. Refunds have been demanded. Royale isn't going to care what it costs to fix them or how
much of your schedule they screw up. They need them fixed. Now." He sat back and said more mildly: "Or else
I have a feeling the things are going overboard. All of them."
"I'm here to fix them. I'm sure I'll have it done in no time." I was using the most confident version of
my voice, the one I used when a customer was on the fence but on tiptoe, and only needed a nudge.
He pinched the bridge of his nose. "You know there are six hundred?"
Uh oh. I suddenly had to chew back a yawn, which clashed
with the confidence I was trying to maintain. "Well, they're not all malfunctioning." Jack had promised this would
only take a couple hours. There was no way they were all broken.
He shrugged, sat back in his chair, and I thought I saw a bit of a challenge in his eyes when he said, "Who
knows? It seems like most of them, given the number of people I've seen. I guess you'll just have to check them all."
He spread his hands and lifted them slightly toward the ceiling.
I stood up and my legs, still stiff from the plane, emitted a hot dull ache. "Well, then. I'd better get started."
"Start with the one outside the spa,"
he said as I left. "For some reason, people on their way to a massage scream pretty loud when a hand sanitizer squirts
them in the eye."
#
Jack, my boss, called the day before and told
me that he'd signed me up to meet the ship in Athens. I'd talked to him as I packed one-handed, holding the phone away from
my ear to compensate for Jack's too-loud phone voice. He seemed to think he was using a tin can.
"It's like a circus out there, apparently," he yelled. "They're telling me the things have gone nuts.
They're squirting people in the eyes!"
"In
the eye?" I laughed. "No way. There must be a mistake. They're pulling your leg, they're trying to get you to pay
for half a cruise."
"I've seen pictures!
This isn't a joke. It's hideous Matt. All kinds of irritations and infections. No one's gone blind yet, but I suppose
it's only a matter of time."
"What are
these people doing, squatting down and trying to get their face sanitized?"
He laughed once, just a single cough of a chuckle to acknowledge that I'd made a joke. "No. Just walking past."
I zipped my carryon. "No way. Not only would they need to recalibrate
the sensor for distance, but they would need to drill a hole in the casing to let the..."
"Hey!" I held the phone further away. "I don't want you to diagnose the thing now. That's why I'm
sending you to meet the ship. Royale Cruise Lines are our biggest clients, Matt. Did you know they're our biggest clients?"
I sighed. "Yes."
"Fix those machines, Matt. Fix them. And notice I'm not sending a technician
all the way out there just to fix them, I'm sending a sales guy. The sales guy. That's you, Matt. You're the
sales guy. You're there to make them fall in love with those machines all over again. And sell more!"
"Got it."
"And get in and out fast, okay? No one likes a mooch."
"Okay."
"I mean it, Matt!"
The voice was reaching painful levels again, even though I had checked repeatedly that my handset was on its lowest possible
volume. "We don't want it to look like you're just trying to get a free vacation."
"I'm in, I'm out. No worries, Jack."
"Great.
And Matt?" He paused, letting suspense infuse the static-filled silence. "If you fix this, all of us back at HQ
will remember who it was bailed us out of this. Is that understood?"
"Yes, sir," I said.
And it was.
#
After I left Dr. Richardson's office, a smiling and nodding porter offered to show me to my room. "No,"
I said. "Thanks, but I'm only going to be here a few hours."
"Oh, no, sir." According to his nametag, he was from Cambodia. He continued to smile and nod as if his
neck were on a spring. "Royale is sure you will be here days. Please. To the room! It is quite lovely."
It was small and windowless, but the shower and the
narrow bed looked equally tempting. But I resisted. I didn't even change clothes, although the thought of a fresh shirt and
pair of underwear - and especially a shower - was strongly tempting. I'd planned to change at the airport, but customs spent
a long time looking through my tools - so long that I was almost an hour late to meet the Royale representative, who seemed
to demonstrate how pissed he was at my tardiness by chain-smoking during the entire drive to the port, filling the car interior
with a blue haze until my coughs were genuine, not just hints for him to roll down a window.
And now, there was still no time for a shower. The ship left Athens tonight at six, and I needed to be done by then.
Because as Jack said, no one liked a mooch. As wonderful as it sounded to have a free vacation, it wouldn't look good to my
boss or his boss or Royale, our biggest client. Anyway, there really wasn't any way for the machines to be squirting up.
I was betting it was all just a misunderstanding or an exaggeration. A big, expensive joke.
It was 11 am now. No problem, I thought as I closed the door to my cabin. No problem at all for Western Sanitation
Solution's quarterly top ranking salesman, two quarters in a row. I'm in, I schmooze, I'm out.
My company manufactured hand sanitizing machines, which automatically dispense .03 ounces of sanitation liquid (with
natural aloe extracts) when you place your hand under the sensor. Touching the unit wasn't necessary, but it didn't stop most
people - at least those I'd seen at trade shows - mauling the poor things, tapping them, pushing on them, or rubbing them,
as if exhorting them to give up their little squirt of alcohol. Royale ships were fitted with 4500s, our most attractive and
also our most expensive model. They have spherical tops set on an asymmetrically curved pedestal base. "Sleek but sturdy,"
said the trade magazines. "Resists tipping with a uniquely artistic shape." The top half of the sphere is translucent,
so you can see when the sanitation fluid is running low.
It was hard to believe they could squirt people in the eye. The sensor that allowed the machine to detect the presence
of someone's hand wasn't strong enough to detect the presence of anything further than an inch or two away. And even if it
was that strong, the machine was only designed to squirt down.
"Good old 4500," I said, as I approached the one outside the spa. "You won't believe the things they're
saying about you downstairs."
I was just out
of arm's reach, when I saw the red eye of the motion sensor. It had seen me, and I turned away just in time. The alcohol hit
my ear. Keeping my face turned away, I dropped my tool bag and unscrewed the top half of the sphere. I felt my way under the
bag of fluid for the shutoff switch. The whole time, the thing kept hurling streams of sanitizer into my ear and hair with
spitting sounds.
When I'd finally turned the thing
off, I wiped out my ear, which felt uncomfortably cold.
And then I saw them watching me.

Pale Northern Legs
by
Lydia Suarez
The ride along Route 301 takes us past tobacco fields, firework stands and diners that smell
of fried eggs and defeat. The rear windows on the ‘62 thrust engine Le Sabre roll all the way down. A third
of my father's arm has roasted. My mother's hair is held hostage by a turquoise scarf. "Dame eso,"
Give me that, he says to her. She's exceeded his time limit for refolding the map. He steers with his knee.
In the back, I am in charge of the cooler. Bottles float and clang. The ice came
from a station near a ramp that emptied onto the smoke stacks and refineries of the New Jersey Turnpike. At four in the morning,
my father stabbed the block with a pick and then reached for a cigarette. The orange embers glowed in pitch-black.
Tonight I will make five trips with the plastic bucket. I've learned not to ask about the air conditioning, "It's
a waste of gas," he says Gas that costs thirty- five cents a gallon.
My parents patiently grimace as I dazzle them with my eloquence and read aloud about Pedro's shenanigans all
the way to South of the Border. Tires crunch over gravel when my father pulls in the driveway that promises clean, modern
comfortably furnished guestrooms with a private bath. The diamond plastic ring has been fearlessly stamped with the room number.
No card to swipe. Inside, forest green drapes, mildew on stucco walls and beds dressed in mint chenille. A quarter
buys a massage. The door will groan with abandonment when we leave.
I
dread brushing my teeth at bedtime. The sulfur makes the tap water stink like rotten eggs. I wade into a rectangular
pool after fourteen hours with my thighs stuck to plastic seats. My eyes sting and turn pink.
Later my father orders a T-bone. He's completed a day's driving between Fayetteville
and Florence. We are halfway between New York and Miami. Time has an entirely new meaning here. It passes languorously.
At the Formica table, I arrange pegs on a triangle and eavesdrop on my parents' conversation.
Tomorrow at this time, we'll be in Miami Beach, the American Riviera for all Cuban families
like mine. First, we'll pick up my aunt at the factory. Auburn with soulful coffee eyes, she is damp and dewy
in the scent of Tabu. We head to her overgrown house where fallen mangos ripen on a windowsill and then to a hotel across
from coconut palms that at night turn incandescent in lime, aqua and cherry. When I pull the lobby door, the cold air
shoves me out. The precise molecules that comprise the ocean and sand and salt are propelled into my lungs where they will
dwell for the rest of my life. The next day I make deals with a merciless sun and overstay on the beach eating pastelitos
and croquetas and persuading my parents of my invincibility. The shower pellets me like hail. The solarcaine stains
the unforgiving sheets.
The steak arrives an hour later: overdone and
leathery. I use my fork like a plow to push the grits to the edge of my plate. On the walk back to the room, I cry out
"Daddy" and clutch his hand. I'm afraid of frogs that will leap out of the bushes and land on my pale
northern legs.
To collect a card of the Dixie Dreams Motel, a menu from
Rod's grill, a frayed photo of the Sombrero Tower at dusk is to reconstruct a life, card by card. To wage a stake
in the struggle between a stony future and a past that has been razed, burnt down, and painted over. By the time he
retired, the skyscraper where my father worked had turned silver like him. I remember it shiny and black as his hair.
When I was a teenager and too mature to hold his hand but oh so
curious about his job, he let me tag along on snow days. An overnight blizzard had shut down the city but not the banks.
Currency transfers in another realm. My father's polished florsheims were protected by totes. My maxi coat skimmed the
sidewalk. No pictures of us exist, only the stillness of how we tread beholden to a transformative snow. A ten-minute
train ride brought us across the river. In the World Trade Center, he stepped on the escalator first. Their steepness
made me dizzy. "Cuidado." Be careful, my father said. He was my protector. Now, both are
gone.
Postcards, menus, tickets, ephemera as they are known in
the trade are the proof, the evidence, the numbered exhibits in the case against evanescence. Otherwise, who would believe
you? How can you convince anyone that something you cannot see can kill you? Or that a pile of rubble can make
you cry?
How else to bear the disillusion of a detour off the interstate.
"This is it?" my children said as we drove on 301 past boarded buildings and billboards that proclaimed, "When
God is not enough call Dr. Womack." Or how to explain that my aunt in the nursing home rolls her fingers forward
in little waves because she's still at that phantom sewing machine, attaching zippers, sleeves, and collars?
The quest for place and time is an alchemist's mission. It
is the creation of a force more devastating than loss, more enduring than love, more magical than turning metal to gold.
It is an equation that can prove places are immortal, a power that can return him to me, and a grace so divine it can restore
what we have lost.
On Cowboys
The issue
of belonging is a dear one for me.
At times, the cost of thinking has risen in this town
Where prairie meets the hill
Nothing to be seen for miles but for the lone Texas cowboy
Taming his changing wilderness
Roaming with
his herd
Underneath the
cloudy blues—
The peaceful landscape
scene
Was once a reverie
for me
I knew no cowboys or their cowgirl mates
In all the places I used to live—
Those I called friends were preppy young things
Fashion queens or tomboys
in tight-city jeans—
I
wore long combs in overall pockets.
Who knows if the face
behind the cowboy’s hat
Is
brawny from too much sun or middle rage
Drifting along his longhorns
Or that his ancestors were
Reds of the brave native earth
Or perhaps the tribal forefathers
Figured leave the Mongolian strait
To weather prairie ice in the newest world—
Or the truest cousin may be
Those wild vaqueros in the land of pampas
Taming their metallic creatures
Riding the night with pride
Or even more daring, might be the cousin nomads
Of ancient deserts on silver stallions
When the Arab was just a roaming Berber
Along the Barbary Coast
Then, again, I saw
the Texas cowboy
No east-west
myth here
The face is
real, the body, tough
No
cartoon cactus near a country hick
Driving to San Antonio
Along rows of sky-blue bonnets
Move the truest poets of
the land,
Strumming their
rhythmic stride
To
the tune of southern wind and rain.
He could no longer
feel his toes, and when he took a breath, the cold air made his chest ache. The sky was clear, and the moon bathed the
narrow, cobbled street in light so bright he could see his shadow. It was January. . . the weather was always brutal
in January.
He stood next to his mother, her tight grip leaving
his hand as numb as his toes. The large ruby and diamond ring she wore cut painfully into his fingers. Occasionally
he glanced up at her face, but every time he did, her faded green eyes seemed fixed on a point far beyond where he could see.
In the moonlight, he thought she looked like an old woman. There were deep lines around her mouth and eyes.
Everyone in the ghetto had been instructed to report to the train station at 2am on Saturday, January 7, 1939. It was
the Sabbath, but he knew that, like themselves, most of the others had stopped observing the Sabbath once they'd been
forced from their homes.
There were guards at the front of the parade as they left their building - it felt a bit like a parade to him - and more guards
at close intervals on both sides of the street, bayonets affixed to their rifles. He longed to ask if he could hold
one of their weapons.
* * * *
Weeks earlier, when they were ordered to leave their cottage, his mother had grimly packed her clothing in a large suitcase
and his in a slightly smaller one. Finally, she'd pulled down a scarred, leather portfolio from atop a huge, mahogany
wardrobe and reverently placed in it his father's paintings, as well as several pieces of sheet music, most of it yellowed
and brittle.
This morning, though, as they prepared to leave, she told him not to bring his bag. Instead, she made him put on layer
after layer of clothing; he was sure there was little left in his suitcase. He could barely move. But he was happy
not to have to carry the heavy bag. She left her suitcase as well, but clutched the portfolio to her chest. Its
contents, she whispered over and over, were irreplaceable. With her breath making little puffs of fog with each word
- the room they'd been assigned at the top of a derelict three-story brick building had no heat, no running water, no
furniture - she promised him new clothes, new shoes and a new topcoat when they were safely out of Poland.
He had nodded and set out by her side, rubbing his eyes. He had not slept through the night since they'd arrived
in Warsaw. The walls of the building were paper-thin and the sound of babies crying and adults arguing kept him awake
night after night.
When they finally reached the railway station, they, along with everyone else, were handed a small loaf of hard, brown bread,
but to his bitter disappointment, no butter or molasses. The boy took a small bite and quickly spat it out; the bread
was dry, and had all the flavor of sawdust.
As they waited in the frigid pre-dawn, large, wet snowflakes began to fall from the slate-colored sky. Eventually, just
as he was sure his feet were frozen to the ground, the guards who had accompanied them loudly ordered everyone into railway
cars.
He and his mother climbed into the nearest one. It smelled to him of animals, and there were no windows or seats.
It was not at all like the excursion train he had taken two years ago on a school outing.
The two of them were
jostled into a back corner by the press of others. He tugged on her arm and insisted she sit down on the fetid straw.
He felt sure the soldiers would pack as many people into the car as possible, plus dozens more, and he wanted her to have
a bit of room. Her skin appeared gray and she had stumbled, nearly falling, several times. He was afraid she might
be ill.
No one spoke as the door to the railway car slammed shut and was padlocked from the outside. His mother moaned softly
and he placed his hand protectively on her shoulder.
For what seemed like hours, nothing happened. Children whimpered and mothers shushed them. Otherwise, no one spoke
above a whisper, although he heard the unmistakable sound of someone retching.
Suddenly, the car jolted and the train began to
lumber forward.
After a while, he could hear the murmur of men's voices, and while he hated to leave his mother's side, he wanted
to hear what they were saying. He slipped away, leaving her resting her head on the portfolio she'd placed against
the wall of the car, staring at nothing, humming tunelessly, anxiously twisting the ring around her finger.
He wormed his way
between and around the tightly-packed bodies until he was next to Rabbi Yosef, from their village. He listened to the
sketchy information the men shared with one another.
All agreed the train was headed north, toward the Baltic Sea. From there, passage for everyone would be secured to Sweden.
The Swedes and Norwegians were neutral, right? The men nodded to one another sagely and stroked their beards thoughtfully.
The boy wanted to ask them what would happen if the train didn't arrive where they thought. However, he was afraid
of being scolded for being impertinent.
As he made his way back to his mother, he imagined life in Sweden. He didn't know any Swedes, and he didn't
think his mother did, either. But he was sure she would find going to Sweden, at least until the war was over, quite
acceptable. By the time he got back to her side, he was smiling. He'd always wanted to learn a foreign language.
The train continued
to rumble along. The air rushing in through the slats was painfully cold. Even with all of the people crammed
into the car, and the layers of clothing he was wearing, he was chilled to the bone. He huddled on the floor next to
his mother, turning up the collar of his overcoat and tucking each hand under the opposite arm. He buried his face in
her coat, his teeth chattering. What he longed to do was to curl up on her lap and let her wrap him in her sumptuous
Siberian tiger coat, as she had done when he was a little boy.
His father, an artist of some renown, had died five years earlier, when the boy was only six years old. Ever since,
his mother had insisted he sleep in her bed. She told him the frequent thunderstorms and later, the incessant bombings,
frightened her. Sleeping with him nestled next to her, she said, was comforting. She called him her mały
człowiek - her little man - which embarrassed him, yet made him proud. And while he didn't like sleeping in
her bed, he did as she asked. Besides, he'd always been afraid of thunder and lightning, too.
* * * *
The train suddenly screeched to a halt and he jerked awake. He tried to work the kinks out of his shoulders and neck,
but the unrelenting cold left him feeling lethargic. All he wanted to do was retreat into sleep and dream of summers
spent exploring the caves high in the hills above their village.
Suddenly his mother shoved him away from her side and awkwardly got to her feet, cursing loudly. The cursing soon stopped,
but what followed was more frightening: An animal-like sound came from deep within her. She threw her fur coat
aside and tore at the bodice of her navy silk dress, sending crystal buttons flying in every direction. The boy got
to his feet and tried to quiet her. She screamed louder.
Others in the car angrily demanded she hush, some even threatening to toss her out if she didn't stop her caterwauling.
In the back of his mind, the boy knew they couldn't; the car was locked from the outside. Still, her screaming would
attract the guards.
He tugged on her arm and begged her to be silent. A guard banged on the outside of the car and peered through the slats,
a scowl on his pock-marked face.
"Quiet!" he commanded. "Stop that racket or I will shoot everyone."
The boy reached up
and boldly placed a hand over her mouth. By now, the odor of unwashed bodies, urine-soaked straw and babies' fouled
nappies was overwhelming. He resorted to breathing through his mouth. As his mother continued to keen, however,
he risked a deep breath and shouted for the Rabbi.
He could hear, even over her wailing, the screech of metal on metal as the doors on other railway cars opened and guards barked
out orders. Someone on the far side of the car near the door reported they had arrived at Auschwitz. The boy knew
from geography class that Auschwitz was in the opposite direction from the Baltic Sea. This was not the port of Gdansk.
He closed his eyes and saw a red wash of anger. How could these supposed learned men - men his mother had taught him
to revere - not know the train was headed south instead of north? He ground his teeth and balled his aching hands into
fists, then spat disdainfully.
By now, his mother had ripped her fine silk dress from neck to hem. He was ashamed, and he was sure that had she been
in her right mind, she would have been horrified that strangers could see her milky white shoulders, sagging breasts and flabby
upper arms, not to mention her flaccid thighs bulging above her silk stockings.
Rabbi Yosef finally appeared at the
boy's side, and in a voice devoid of any emotion, insisted the boy forever silence her. Others in the car took up
the refrain.
The boy was speechless. He loved her; she loved him. Without her, he was totally alone. He couldn't
possibly do what the Rabbi demanded. He shook his head defiantly and stared down at his mud-caked leather shoes.
In his heart, though, he knew that at least this time, the Rabbi was right. His mother's wailing would bring the
wrath of the guards upon them all. Hadn't they already been threatened?
The Rabbi placed his liver-spotted hand on the
boy's arm and whispered urgently in his ear. The boy, a sob catching in his throat, nodded once. He prayed
she would forgive him.
He knelt and gathered up the fur coat his mother had cast off. With the Rabbi's help, he pulled on her hands until
she finally sat down. The two of them then managed to position her so she was lying on her back on the stinking floor.
He couldn't bear to look at her face, so as he straddled her
body, he focused on the small mole at the base of her throat. Placing her coat, fur side down over her face, he pulled
it tight. Then, using all of his strength, he pressed down.
Even as his tears stained her coat's black
satin lining, he wondered why she didn't struggle. He felt her body tense for several seconds and then, blessedly,
she went limp. He was relieved; had she fought him, he couldn't possibly have done it.
By the time the guards removed
the padlock on their rail car, he had dried his tears and carefully covered her body with the same coat he had used to silence
her. Hiccupping, he lifted his chin and squared his shoulders.
A guard shoved the door open and ordered everyone off the train. The boy laid the leather portfolio next to his mother's
body and shuffled forward, his fingers caressing the smooth surface of the ruby ring he had stuffed into his pocket.
ON THE HOLLOWAY ROAD
by Andrew Blackman
Chapter One
I
first met Neil not long after my father died. I was living in a big old red-brick Victorian semi in north London with my mother
and her vicious cat Sparky, trying and failing to finish a long, learned novel packed tight with the obscure literary allusions
and authentic multicultural credentials that the publishers loved in those days, when out of nowhere Neil rode into town,
all bravado and muscles and shaved head and mad, staring eyes. He was just a boy, really, but a boy with an ASBO at fourteen,
a caution at fifteen, a spell in junior detention centre at sixteen and a boy of his own by seventeen. He was a boy who was
wild and dangerous and soft-hearted, a boy who wanted to live more badly than anyone else I knew at that time. Compared to
my own sad, shambling existence in the shadows of life, his was a kaleidoscope. I peeped from behind my mother's curtains
at the world outside and wrote about people like Neil. I never believed that he really existed until I met him.
Here's how it happened. It was one of those long,
cold winter evenings in London, when the streets are slick with a rain you don't recall having fallen and the lights are
an orange ball above you in the damp, black chill, fighting feebly against the night. Water hangs in the air with nowhere
to go. You brush against these tiny cold needles and they stab your face, making you draw your hood closer about you. Long,
dark alleyways harbour thieves and villains, furtive drug-dealers and nervous knife-wielders and young drunk couples rutting.
Through it all runs the Holloway Road, a long straight road with dismal shuttered shops on either side, the gloom punctuated
at infrequent intervals by the bright lights of a pub, a kebab shop, a curry house, a burger joint. One or two of the old
fish and chip shops remain, but they are relics of a time fast being forgotten. A younger crowd roams the streets on these
nights, ravenous for real red meat, big slabs of it slathered in ketchup and hot chili sauce. Fish seems strangely genteel
for such a crowd. Even an inch of grease and a side order of thick, stodgy chips cannot hide the slight effeminacy of the
tender white fish that melts away at the first bite. The crowd on the Holloway Road these days wants meat that you can bite
into, gristle that you can chew on, blood that you can wipe off your lower lip. It wants its beer cold, its curry hot, its
lights bright and its music loud. Nothing luke-warm, nothing ambiguous for this crowd.
If you follow the long,
straight Holloway Road far beyond the neon horizon, you'll end up in Scotland. It's hard to believe, but this drab
parade of tawdriness is the Great North Road by another name. Before too long, the Holloway Road becomes Archway Road, then
Aylmer Road, Lyttelton Road, Falloden Way, then the Barnet Bypass, and then you're out of the suburbs and into open countryside,
speeding up the A1, sometimes calling itself the Great North Road, other times the London Road, depending on the perspective
of the locals, and the green fields and hedgerows flash past as you tick off the towns - Stevenage, Letchworth, Peterborough,
Newark, Doncaster, Pontefract, Darlington, Durham. Fight your way through the huge smoky grey sprawl of Newcastle and you
find yourself speeding up along quiet open roads now, close enough to the sea to smell the salt in the air and hear the seagulls
cawing but never quite close enough to see that big grey frigid North Sea until suddenly you're past Berwick-upon Tweed
and hopping over the border into Scotland without even realising it, and there is the sea in front of you all craggy crumbling
cliffs and white-topped waves, freezing and forbidding, so that after just a few minutes the road turns away in disappointment
and heads inland, cutting across open countryside to grand, regal old Edinburgh, with its magical castle suspended in the
clouds above the city. You skirt over the top of ancient Holyrood Park, and for the last few hundred yards of its existence
the A1 takes on the name of Waterloo Place, as if trying to reassert its Englishness one last time, reminding the burghers
of this proud town that this road, the A1, begins on Newgate Street in London, where Rob Roy himself was held in chains.
I was dreaming all these unconnected
vague drunken dreams as I sat in a plastic box of light and sound and blood, Donna's Kebabs I think it was called, taking
refuge from the oppressive damp mist outside which had, after some time spent walking up and down the Holloway Road looking
for some friends I'd misplaced earlier in the evening, pierced the protective film of alcohol and got to my joints, making
my elbows and knees ache arthritically. So I sat huddled over a white foam box filled with grey-brown, glistening slices of
meat encased in pita bread and doused in hot sauce, ketchup, mayonnaise, lettuce, tomato, red onion, white onion, cucumber,
gherkins and olives. By the time Neil walked in I had left magical castles and folk heroes far behind and was pondering on
the olives, a nice touch but not right. I admired the originality, but originality is not what you expect from a kebab house
at midnight on the Holloway Road in the middle of November. You want something to fill your stomach with the expected greasy-sweet
flavours. The sourness of the olives was unexpected, and left me feeling somewhat dissatisfied. Donna did not have any other
customers that night, either: perhaps others felt the same about olives in a kebab. So I was surprised when this big, shaven-headed
hulk of a man ignored all the empty tables and eased himself creaking into the little red plastic chair opposite me, his gruff
"dja mind?" uttered far too late to admit any response but an impotent shrug.
For long minutes he said nothing, just attacking his extra large
kebab as if he hadn't eaten for a month. I sat saying nothing, eating nothing. I couldn't. I got the sensation that
was strange to me at the time but would soon become familiar: that Neil was doing enough living for the two of us, and there
was nothing left for me to do but watch. Soon he had ketchup and chili sauce all over his stubbly chin, and bits of lettuce
had flown all over the table, the floor, his jeans, his T-shirt. Whereas I had been eating my kebab using a small folded piece
of pita bread as an ersatz fork, Neil just shoved the whole bundle of meat, salad and sauce into his face and began chomping
with his huge strong jaws, slashing the food to pieces and somehow ending up with most of it in his mouth, where he chewed
only perfunctorily before gulping it loudly down and setting those chomping blades immediately to work on a new mouthful.
The noise was astonishing. The dull beat of the radio, the squealing roar of the traffic on the Holloway Road and the underlying
buzz of the slowly rotating lump of grizzly meat in the window were all drowned out by the sound of Neil's bones crashing
against each other, his saliva washing around among the sauce and ketchup and meat, his muscles working so hard that his temples
pulsed furiously with each pincer-like motion of those powerful jaws. His face, already blood-red, became redder with each
mouthful, and just as I was beginning to fear that he would choke, he put the remains of the kebab down, took a big slurp
of Coke and belched softly.
"So
whatcha doing tonight?" he asked. He looked like a child suddenly, all eager energy and bright eyes, waiting for the
next amazing thing to come his way.
"I was looking for my friends," I replied. "I lost them somewhere back there." I gestured vaguely
over my shoulder into the misty wet darkness, and Neil's eyes followed my arm faithfully, searching the night for people
he'd never seen before.
"Can't
you call them?" he asked. "Text them? Page them? Email them? IM them? Photograph yourself holding up a sign saying
‘Where the f--- are you?' and send it to them? I mean, who loses people these days?"
I looked down at my kebab, and picked up a small
mouthful with my piece of pita bread. "I don't have a mobile," I said awkwardly. Usually it was a sentence I
pronounced with pride, as it comprised one of my few truly distinguishing features. People would draw in their breaths and
regard me with awe, as one who had asserted his individuality and resisted the siren call of technology. But suddenly tonight
my lack of a mobile phone felt like what it really was, a phoney affectation. To my relief and astonishment, Neil did not
pass judgement one way or the other, just accepting it baldly as one more simple fact to add to his growing store of knowledge
about the world around him.
"Well,
if you can't find them, they've either gone home or gone to a club in the West End or they just don't want to
be found," he said after a moment of intense concentration. "So here is what I propose. We'll finish our food
here and then go around the corner to the Nag's Head and talk to as many people as we can until we find someone who's
going to a party afterwards, and then we tag along and have the time of our lives. How's that sound? By the way, I'm
Neil Blake."
"Jack
Maertens," I replied, and Neil took that for assent to his plan of action, for he then began attacking the rest of his
kebab and motioned for me to do the same, which I did, feeling a little sick as I lurched back out into the dark wet Holloway
night and followed Neil to the Nag's Head, a dive of the worst kind, so bad that I didn't want to go in until he told
me patiently and seriously, as if talking to a slow child, that he had chosen it precisely for the very reason of its awfulness,
which would make anyone in it naturally keen to get out and on to somewhere better. He was soon proved right, too, as after
just a half hour or so of working that tight-packed smelly old crowd, he hit upon a group of students who were heading on
to a party up in Highgate, and all he had to do was tell them a few jokes and buy a couple of rounds of drinks, which he left
me to pay for, and suddenly we were on the night bus chugging up Highgate Hill, where a few hundred years ago Dick Whittington
had heard the Bow Bells calling him back to fame and fortune in London, and where today middle-class families drove their
huge snorting Landrovers up to huddle together in expensive refuge from the pulsating violent ugliness below. For Neil and
me that night, Highgate Hill was a place of cheap wine in plastic cups, vodka in jelly, cheap cigarettes, expensive hashish
from a reputable dealer on the Edgware Road, tequila slammers, half-grabbed kisses with a girl on a sofa, loud music and shouting
and some attempts to dance.
By the time we left it was already morning and people in suits and raincoats were
climbing sourly onto buses. The sun was still not up, though, and neither was my mother when I sneaked in quietly through
the sleeping house to my room. Where Neil went after that I don't know, but I know that he must have followed me home
because the next day when I woke up, although I hadn't given him my address or phone number and was caught between relief
and regret over it, I went downstairs and found him back again, sitting in my mother's living room sipping a cup of tea
and chatting amiably with her about the beautiful bright yellow winter jasmine climbing across the walls of her garden. Soon
we were out again onto the Holloway Road, dodging cars and buses and mingling with the crazy throngs of shoppers as we hopped
from pub to pub, our talk becoming crazier at each place until the orange glow of evening took hold and the shoppers on the
street became drunks like us, and after we had hopped from pub to pub for a while Neil was able to finagle us into another
party, this time in Hackney.
Almost every night and every day passed this way in the new period of my life in which the morose brooding behind my
mother's curtains suddenly gave way to a riotous drunken haze of colour and noise. If I felt any regret it was only because
my novel was sitting unwritten on my laptop and by the time I woke up each afternoon it was time to go out again. As well,
there was a slight lingering feeling of being a hanger-on. At the parties we went to I knew nobody, and usually Neil didn't
either. Yet soon he was virtually playing host, while I felt myself merely being suffered as a necessary side effect of Neil's
irrepressible presence. I tried to introduce him to some of my friends, but he quickly tired of them, while they thought he
was mad, and we left early from whatever soiree we had ruined. As for his friends, he said he had none. Since leaving Feltham
Young Offenders Institution he had drifted from town to town, making deep and intimate connections but not lasting ones. He
had more phone numbers than his mobile phone's memory could handle, but each of them was accompanied by a long and extravagant
story about why he couldn't call it because he owed the person money or a favour or had slept with his wife or stolen
his car. So we sloped around north London from pub to pub and invited ourselves to parties with strangers.
Then, one day, Neil was gone. For several weeks I
heard nothing until, just before Christmas, a battered postcard smudged with rain informed me that Cornwall in December was
a truly beautiful place, full of crags and rocks and monuments to people and gods nobody can remember any more. He was staying
in a friend's old cottage working his way quickly through a dusty old Cornish dictionary, he told me, seeming to remember
the ancient words rather than having to learn them anew. He had got as far as "gwreg" (wife), but couldn't find
anyone to teach him the correct pronunciations. So he was fumbling through, making up his own sounds as he went on and planning
to get all the way through to z by New Year. He signed off "Dha weles" without even putting his name, although who
else could it be? The friends with whom I now spent my time, the collection of failed writers and "mature students"
who only a few weeks ago had been in my naïve young eyes the height of wit and erudition and wisdom, seemed like shades.
None of them could have composed something so spontaneous and true as that smudged, creased old postcard with its spidery
black script streaking across the page, winding its way between the lines of the address and spilling over onto the bright
yellow sands and blue sea on the other side. I was gripped, and wanted to jump into my old blue-green Nissan Figaro and burn
down the M4 to spend Christmas with Neil learning Cornish and drinking whisky in the rickety old fisherman's cottage with
the fire crackling and the treacherous winds lashing the windowpanes. But I lacked the heart for it, and instead toasted Christmas
with sherry in my mother's living room with some relatives who always made me feel dead.
New Year's Eve came around and I was feeling
as lonely as the grave. I had been invited to a couple of parties but knew exactly what they would be like and had no interest
in going. I fully intended to see the New Year in with my mother, using my desire for solitude as a pretext to be a good son
for once and help her through what my vapid relatives had sententiously predicted would be a ‘difficult time' for
her. By ten o'clock, however, the canned laughter from the television was making me perfectly suicidal and I knew that
my mother could see it because she offered to turn it off and I hastily declined and she looked relieved as I sped out of
the door and into the cold dark night full of animal yelps and whoops. I pulled the top down on my Figaro so that I could
hear it all and perhaps let some of it rub off on my lonely soul. I drove down the Hornsey Road into the dark madness of Holloway
and all was as I expected but it did nothing for me. After driving up and down for some time looking for something, I parked
in a side street and did something truly absurd. I went to Donna's Kebabs, ordered an extra large kebab with hot sauce
and chomped down on it, watching the clock tick down to midnight and all the time fully expecting Neil to come crashing in
full of ideas and enthusiasm and dragging me out of my solitude into some pulsating pit of desperate young drinkers trying
to live just a little more before the end of the year. Of course, nothing happened. Neil was buried in his Cornish dictionary,
probably halfway through ‘y' and feverishly fighting his way to the end, and I was left with myself. It was another
slow night for Donna's Kebabs: everyone with anywhere to go was somewhere else. Around midnight the spotty young man who
had been left in charge shuffled out from behind the counter with two cans of beer and set one before me, saying, "Don't
tell anyone, yeah?"
Midnight
came and went. We clinked cans. For the kebab boy, the fear of getting caught seemed to outweigh the pleasure of rebelling
against Donna, and he looked constantly out of the window for the police, hardly talking to me all the time, and about ten
minutes later, with his can still half-full, he went back behind the counter. I was bad company anyway, and to avoid getting
Donna's Kebabs closed down over the worst, smallest and most dismal and depressing New Year's party in history, I
took my beer out into the street. People were cheering as they swayed past in flush-cheeked groups, arms around each other,
and several tried to gather me up and carry me along in their tide of celebration, but I resisted and broke free. Everything
felt wrong, and all I could think about was that one more year had passed with my great literary novel still unwritten. I
had wasted too many nights on the Holloway Road and too many mornings lying in bed too sick and confused to do anything. My
laptop brimmed with half-finished thoughts. Abandoned chapters littered the dark corners of its hard drive. It was taking
longer and longer to start up in the mornings, evidence, the shop said, of a virus, but to me it was a symptom of the weight
of hackneyed, cliché-ridden prose clogging its arteries. The more I wrote, the slower it ran, as if in protest at the
poverty of my writing. A few days later, in a grand New Year experiment, I tried taking a notebook to a café and writing
there, as I had on long dreamy university days, but the process now felt foreign. My hand ached quickly, the dull characters
in the café distracted me too easily, and writing even the simplest sentence seemed to require far too much effort.
I realised that I could never have churned out so many megabytes of dross had I been forced to write longhand, or even to
feed paper through an old-fashioned typewriter. At some point my body would have rebelled against the wasted effort, as it
rebelled now in those cafés at every trite sentence that my tired brain formed. I went back to my room and let my fingers
glide swiftly over the keys. Better to produce garbage than to produce nothing at all, the writing books always said. So for
two months I cluttered my hard drive with more megabytes of ponderous, inelegant, pretentiously sententious prose, all the
while feeling like more of a fool.
When Neil came racing into my mother's house one bright March morning, then, I embraced him as my saviour. He did
look curiously messianic, standing there in the hallway with the bright orange sun flooding in through the open door at his
back and making him almost glow around the edges, as his bright brown eyes shone childlike and his thick face smiled broadly
but serenely at me. He looked at once like a man who had discovered some important secret and like a child eager to discover
a new one. Probably all this was in my head, a product of the months of despair and their sudden end in a blaze of glorious
spring light. We hugged like old brothers, and my mother stood watching us in bemusement. She liked Neil for his polite talk
of winter jasmine and for the simplicity and kindness that lay beneath all that loud masculine youth and laughter and energy,
but she could sense that he was dangerous too. She knew I would leave with him soon and that she couldn't stop me, but
she warned me before I left not to follow him everywhere he went.
"Keep your own mind, Jack," she said. "Don't let yourself be led
anywhere you don't want to go."
I kissed her and said I'd be fine, and indeed at that time I
felt stronger and more independent than at any time in my life, and the idea of going anywhere I didn't want to was ridiculous
and slightly hurtful. By that time Neil and I had spent a week or two exploring every pub and bar and club and kebab shop
and curry house and chicken shack and burger joint on the Holloway Road, and were thoroughly sick of London and all its grey
grimy misery. We'd even taken to trying the pubs around my mother's house in sedate little Crouch End, disturbing
the faithful old dogs at the feet of the old men with their crossword in one hand and pipe in the other and their pint of
bitter half-drunk on the table in front of them. We decided to cause some havoc in those places just to shake them out of
their dead filmy-eyed smiling expressions and get them to put down their pipes and papers and express something, if only anger.
But the first place we tried it, a tiny little place with net curtains on the window and a crackling fire and a leafy beer
garden out back, nobody rose to the bait. We cursed loudly and danced and shouted and even took a swig of one old man's
beer. But nobody said a word. The barman stared at us with an ambiguous expression on his face, and the customers just buried
themselves in their crosswords and waited for us to go away and leave them alone, which we soon did, feeling so ashamed of
the whole thing that we bought a round of beers for everyone. After that we got a bottle of whisky from an off-licence on
the Hornsey Road and went down the hill to dark dirty old Elthorne Park to sit among the sad old winos and drink and smoke.
Neither of us said very much, not even Neil, who usually only seemed to stop speaking to eat, sleep or kiss someone. I don't
know what he was thinking about, but I was thinking of my father, who had worked all his life in a government office up in
the city and travelled home on the same train every night, always stopping on his way back from the station for a quick pint
and a chat with his friends before coming home to dinner. I imagined how he would have looked at Neil and me if we'd interrupted
his quiet pint one tired evening with foolish attempts to goad him, how he would have told the story later over dinner with
a sad shake of his head.
"We
must leave tomorrow," Neil said into the night. A couple of winos looked over: we'd been silent so long that they
must have forgotten we were there.
###################################################################################
AND THE ROAD GOES
ON FOREVER
A Life
On Two Wheels
By Gerald O. Ryan
Glance past handlebar hands
that grasp the long faint shadow cast in front of your bicycle in the early morning sunlight. See that
gray silhouette transform from the gaunt Giacometti form on two wheels to a squatter combination of spinning circles and frame
triangles as the sun rises higher in the sky. The shadow condenses, disappears as the sun reaches its zenith,
now follows behind like a faithful dog for the rest of the day.
Look down and watch fading asphalt flow under rolling wheels. See knees and top tube and
handlebar and arms joined in curious stasis and continuous revolution. The arms belong to the rider who belongs to the road
that never ends. They’ve changed from smooth strong forearms to tauter drawn limbs, from the smooth
skin of youth to the complex alligator map of wrinkles that so absorbed a young boy as he studied his father’s arms
as a child. See the knees now scarred from surgeon’s knives, protesting as the road continues, but
still faithful to the rider who knows them well.
Look up and see parallel lines ever retreating toward the teasing horizon or the next hill, down tree-lined paths and corn-filled
country roads, always approaching the next town or rest stop, always receding into thin memories as you rejoin the road.
Roll past far-spaced farms, neat boxes of white
houses and rickety red barns and see newborn sows and calves, smell hogs and fertilizer. Hear the sounds
of tractors turning the soil for the fresh planting of crops, the sound of harvesters at season’s end as that bounty
is reaped. Wave and be waved at by the solitary occupants of huge farm combines as they rumble down that
same shared road.
Pedal down stretches of towering
green pines that coolly exude rich resin aromas. Coast and hear the tick of the freewheel in the oddly
quiet calm and stately forest silence. Hear the tap of woodpecker and watch the sudden flit of the cardinal.
See the squirrel as it darts from tree to tree in never-ending, nut-carrying mission. Ride by the river and peer through
early morning mists and rough stalked reeds to see fish jump and fowl preen. Smell the curious, rich odor
of decay where water meets bank in marshy confluence. Inadvertently inhale and swallow swarms of bugs that
dance at the river’s edge.
Careen
down city streets, ever alert, always surprised at the car-bus-truck that leaps in front of you with no warning.
Immerse yourself in traffic sounds and diesel smells, in potholes and pedestrians, in stoplights and swung-open car
doors. Hear the constant
honk and roar. Feel your hands grip the brake levers in sudden stop.
Places may change, but the road goes on
forever. Feel the seasons roll by, the never ending wheel of spring, summer, autumn, winter, the forever cycle of years that
will continue long after bicycle wheels cease their spin.
Pedal through new buds and the creeping green seen only from the corner of the
eye until spring bursts forth in sudden surprise all around you. Creatures court and birds build nests
among blossoms and slowly warming air that caresses and calls you back to the road after a long lonely winter.
Immerse yourself in endless green which waves
in summer winds. Watch black asphalt shimmer and dance in distant mirage. Feel the sweat
drop from forehead to top tube as you cycle, heat making skin glisten, sun’s rays darkening arms and legs in that curious
cyclist’s tan. Taste the lukewarm water as it wets dry lips and somehow satisfies parched mouth.
Sway in the saddle with Tiger Lillies and Queen Anne’s Lace that roadside bow in constant courtesy.
Hear the whirr of locust chorus that sing their familiar song, rising and falling in Doppler mystery as you pedal past.
Tilt your head at the hint of the first dropped
leaf and be amazed at the sudden autumn riot of orange, red, yellow, and brown. Arms and hands hide under
jackets and gloves as you pedal through dimly lit mornings and frosty air. Watch your breath condense in
moisture-filled exhalation. Hear ducks and geese honk over your shoulder as they make their way south.
Worship at the window while winter snows blow and hide the road as it disappears outside in swirling fury, leaving you with
only well-worn maps and fading photographs of remembered rides. Sleeping legs will phantom pedal, twitching
curiously like a dog’s in rabbit-chasing dreams.
The seasons change but the road goes on forever. The road is a constant that’s ever different but always
the same, somehow new and somehow not. It’s a way through life with limbs moving in continuous revolution,
endlessly approaching but never arriving. Because whenever you look up from handlebar hands and spinning
legs, from burning muscles and labored breath, from sudden thought or bittersweet memory, you always see the road that goes
on forever.
***********************************************************************
Meditation on Meditation
by Adrian S. Potter
Night has dropped its black cloak onto the city
and there’s no decent restaurant
open anywhere
so I’m
sitting alone in a small, decrepit diner
with a couple arguing in the back booth
and my eggs greasy, bacon undercooked,
trying to write a poem about my late father,
shamelessly redrawing him in my mind as a different person
but being careful, because we must speak gently of the dead
knowing that they listen for their names
to be mentioned.
It all makes me wonder how God, in his omnipotent glory,
can bear to remember everything at once:
the unsung desire of the
check-out clerk,
the relentless
twang of traffic on the turnpike,
the nightly news and its numbing parade of human suffering,
the requests by the dirtiest of souls in need of cleansing.
Soon I stop trying to list my dad’s faults in verse,
realizing there are things we’re simply meant to forget,
moments that are supposed to rinse off
like the guilt of a one-night stand.
This is how reality falls apart,
disintegrates to dust, and starts up again
within the course of an ordinary hour,
while people like me keep searching
for a blessed peace that seems final, but isn’t.
********************************************************************